Art and Revolution (Part 2)

In Part 1, I tracked the historical progression of ballet from its beginnings in the courts of Europe, in order to provide context for my quest to address current concerns of racism and inequality. I know why we are here from a historical perspective, but what else is currently preventing inclusion? And what steps canContinue reading “Art and Revolution (Part 2)”

Art and Revolution (Part 1)

I’ve been doing a lot of thinking in the past three-plus months about my life as an artist. I’ve been reflecting a lot on my past adventures, some of which I’ve shared through stories in this blog. More, I’ve been wondering where my artistic life is going and what it will look like, due toContinue reading “Art and Revolution (Part 1)”

Energy Makes Energy

My first summer intensive experience was the Oklahoma Summer Arts Institute, a two-week auditioned program for Oklahoma teenagers involved in the arts. It is held at Quartz Mountain State Park in southwestern Oklahoma each June, and is a hybrid of summer intensive and summer camp. While now they have pavilions that house the various disciplines,Continue reading “Energy Makes Energy”

Balanchine’s Apollo

New York City Ballet is currently presenting a Digital Spring Season, twice a week making certain performances available to view for 72 hours: https://www.nycballet.com. So far, they’ve shown George Balanchine’s Allegro Brilliante, Justin Peck’s most recent work, Rotunda, and most recently Balanchine’s Apollo, one of my all-time favorite ballets. Created in 1928 for Serge Diaghilev’sContinue reading “Balanchine’s Apollo”

On Technique, Artistry, & Bujones

Yesterday I came across a video of Fernando Bujones doing about 20 minutes of ballet class work. It was stunning. For those of you that might not know the name, Bujones was an American classical ballet dancer, considered one of the finest of his generation. He was the first American to win a gold medalContinue reading “On Technique, Artistry, & Bujones”